Tiger bells: various types
Design
Tiger bells made of bronze. They differ from other bells because
of several characteristics:
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Musicologically they belong to the group of jingle
bells or crotal bells: they have a hollow, globularly
shaped body in which a small pellet of metal or stone (hence the
also often used term pellet bell) is held. When the bell
is shaken, the pellet hits the inside surface and thus the bells
sounds. The bells have an opening, usually a split in the lower
side of the body which lets the hollow body act as a resonator.
The hoop for suspending the bell is very often square or rectangular,
sometimes round, sometimes trapezium shaped.
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The characteristic that makes the tiger bells
really stand out from other bells is the design. It is evidently
a face with large eyes, a nose and a mouth or beak. Our first
association was that of a frog's head. Later, on a catalogue card
of the Ethnological Museum in Leyden describing the bells on a
baby carrier from the
Kajan in Kalimantan, there is a quote from Prof. J J. M. de Groot
saying that the face is a snake's head. According to him the Chinese
characters on the 'forehead' could mean The Hing Company.
He had seen these characters on the bells of the Lanun
in The Philippines .

On other bells with the face-design other characters
appear. We find these characters on both sides, in the center of
the top half of the bell. Very often these characters have been
corrupted by the casting process or are just meaningless scribbles.
Around the characters and around the eyes and nose we find curls
and curves.
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On the 'forehead' there is a Chinese character
 , the character
Wang. It means 'emperor, royal' and is usually found on
Chinese representations of tiger's heads such as this toy tiger.
-
The tiger bells on the back of the shaman's
costume in the Musée de l'Homme in Paris (now
Musée Quay Branly), France, were described as:
Grelot; tête de tigre en laiton (transl.Crotal
bells, tiger's head, made of brass.
For the full description: click here).
-
In 1914 Russian ethnologist Sieroszewski
gives us an account of the meaning of a shaman's coat ornamentation,
which he heard from an old Yakut. On the bells on the costume
he says:
'Hobo', copper bells without tongues, suspended
below the collar; like a crow's egg in size and shape and
having on the tipper part a drawing of a fish's head
(bold by author). They are tied to the leather straps or to
the metal loops.
Since the Wang character occurs since ancient times on bronze
statues of tigers, such as the statue from the Chinese Chou-period
(appr.500 B.C.), and because the description of the bells in the Musée
de l'Homme clearly mentions the tiger's head, I decided to call these
bells 'tiger bells' to distinguish them from other brass bells. But
for reasons just as good they could be called fish bells, frog bells
or snake bells. However since I introduced the term 'tiger bell' in
my very first report in 1976, it is quite widely used and now occurs
in many web pages (and even in a computer game although the bell in
the game is not a tiger bell). Therefore I will continue to use the
term 'tiger bell' until it is more correct to use another name.
Bronze statue of a tiger, the Wang character on its forehead
Middle Chou (946 - 600 B.C.); collection: Freer Gallery,
Smithsonian Institution, Washington D.C.
Courtesy: Orientations Magazine, April 1972
Various types
Tiger bells vary in shape, size and design. The majority of the
bells belong to one of four type groups: type A, type
B, type C and type D.
Some variations exist. Those variations that are inspired by the
tiger bell but miss on or more of the typical characteristics are
grouped into the Alternatives. Alternatives
are inspired by or resembling type A bells and type B bells.
Type A
Use
Type A tiger bells occur over a wide area and are used in many different
ways, as a dance attribute (Pakistan, southern
Philippines), as an amulet for adults, children and sometimes
animals (goats and sheep in Afghanistan,
cats with the Minangkabau in
Sumatra, dogs in Thailand (Akha),
horses in Sumba and Malta).
There is a strong link between tiger bells and shamanism. Shamans
in Kalimantan, Sarawak,
Mongolia, former Inner
Mongolia and South Siberia have type
A tiger bells in their costumes and paraphernalia (while shamans from
Tibet and Nepal use
type B and type C tiger
bells). One shaman's costume of the Solon
(former Inner Mongolia) is decorated with over 60 type A tiger bells
of various sizes.
There are not very many records from mainland China.
The examples known are mostly from the 19th century, and a belt, most
likely from one of the ethnic minorities in China.
In recent years new tiger bells are produced, sometimes
copies of old type A tiger bells, sometimes variations inspired by
the type A tiger bell. These bells are produced for trade to be sold
to members of local Chinese communities and to tourists. So far they
are reported in shops in Singapore, New
York and Amsterdam.

Set of four bells, collected in China, Steyl Mission Museum
Size and dimensions
Type A tiger bells occur in many sizes, from about 2.5 cm. to about
4,5 to 5 cm. in width. Most larger type A tiger bells have a square
or rectangular hoop. Smaller type A tiger bells can have square or
reactangular hoops but also trapezium
shaped and even round hoops (see the shaman's
belt from Kalimantan). There is one report
of a tiger bell from China (see below) with a width of more than 6
cm. Two bells, reported in China
and in Korea are extremely large; these are however exceptions.
Tiger bell with a width of 4,5
cm. Iban (Sarawak).
One tiger bell, possibly from
China, has a width of more than 6 cm. This is however an exeception.
Alternatives
Several type A tiger bells are probably locally made with variations
in the design (as in Nepal, Syria
and China). These variations
could occur because the producer did not recognise the Chinese characters
and considered them as meaningless, or possibly as floral motifs.
Because of the whiskers, the face on the Syrian bell and on one of
the Chinese bells bell looks more like a cat.
Small tiger bell with whiskers, probably from
China
Viewed from the side the height of the bell
is smaller than its width. This sets them apart from the bells of
type B and type C of which the height is larger than the width.
Left:
side view of type A Right: side view of type B
Type A bell from Turkey
Type B
Bells from this group occur in large numbers on the southeast Asian
mainland. Until now there are reports from Thailand,
Tibet, Nepal, Bangladesh
and possibly former Inner Mongolia (China),
Laos and Assam (Nagaland).
In Thailand (Bangkok) these bells are sometimes painted gold. They
have the following characteristics:

Type B tiger bells are roughly the size of an chicken's egg. The
'Wang' character on the 'forehead', so typical
for the A type tiger bells, is missing. On the top half we can distinguish
Chinese characters, sometimes one, sometimes two. The round character
here means 'long life'. The surrounding curls and curves are not
always there. The hoop is always round.
 
Tiger bells of type B bells occur by the hundreds. In Bangkok they
can be bought in many handicraft and antique shops. They come 'from
the north' but it is not clear what place or region that is. It is
likely that these tiger bells are still produced.
Use
Type B tiger bells are used in many ways. In the Tibetan market
in New Delhi (India) belts for yaks and
horses with 10 to 12 of these bells were sold. One shopkeeper in
Bangkok told me these bells were used as doorknobs. Nepalese and
Tibetan shamans wear these bells on a chain across the chest as
part of their costume. Type B bells of a smaller size are used as
dog bells in Tibet and northern
Thailand.
Size and dimensions
These bells are large, with diameters varying from about 3.5 cm.
to 4.5 cm. and heights from 3.7 cm. to 5 cm. or more.
| Examples of decorations on the 'forehead' of
type B bells |

Two Chinese characters
|

A circle shaped Chinese character
|
|

Meaningless curls?
|

The Chinese character for 'long life'
|
|
The bells are all from the Tibet - Mongolia
area
|
Type C
These bells occur mainly in Nepal and Tibet.
They have the following characteristics:
 
Typical C type bell from Nepal
Type C bells have the shape of B bells but are smaller.
On most bells we see the 'Wang' character,
although sometimes corrupted. In general the eyes are more bulging
than with the other types. Also the relief of the design and the
Chinese characters isthick and relatively high on the surface of
the bell. The hoop is always rectangular with rounded corners. One
handicraft shop owner in Kathmandu, Nepal,
told me that bells of this type were being produced in a workshop
in Dehra Dun (Uttar Pradesh, near the border with Himachal Pradesh).
Use
Many of these bells are sold as souvenirs in handicraft and ethnography
shops. They occur in larger numbers on belts for horses and yaks.
On chest chains worn by shamans they are sometimes found together
with other bells.
Size and dimensions
The size of the C type bells is rather consistent: a width of about
3.4 cm. and a height of about 3.8 cm.
| Examples of decorations on the 'forehead' of
type C bells |
|
|
|
| The lines could be inspired by two characters.
The remains of a 'Wang' chartacter are in the centre of the
picture. |
These are clearly two Chinese
characters. |
Type D
These tiger bells are only reported in Vietnam,
Burma and possibly Laos.
They have the following characteristics:
Horse bells, Fou tribe, Vietnam
Type D bells are more or less similar to smaller type A bells.
The 'Wang' character is missing
and the design is less detailed. The bronze of these bells has a
dark, almost black patina.
The bells are used as horse bells (in Vietnam) and as a musical
instrument (in Burma).
Alternatives
These bells are variations mainly on the type A bells
and the type B bells. Some of these variations could be made locally
for people who had a need for them but were for some reason unable
to acquire the original bells. The majority is however produced in
such large numbers that they are types in their own right.See also:
Alternatives
Go back, to the top
of the page
or continue to the Alternatives page
or to the next page
  
All text and photographs are copyrighted,
for information please contact F.
de Jager
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